<\/a><\/p>\n

Jahrhundertschritt by Wolfgang Mattheuer \u00a9 Stiftung Haus der Geschichte der Bundesrepublik Deutschland (IMAGE 14)\u00a0–\u00a0Click Image to Continue<\/strong><\/p>\n

Jahrhundertschritt
\n<\/em>Gleichschritt und eigener Weg, Hitlergru\u00df und Proletarierfaust,
\nMilitarismus und Widerstand, Diktatur und Freiheit
\n\u2013 ein R\u00fcckblick auf das 20. Jahrhundert. (Mattheuer 1)<\/p>\n

[Step of a century
\n<\/em>Marching and individual pace, Hitler sign and proletarian fist,
\nMilitarism and opposition, dictatorship and freedom \u2013
\nLooking back on the twentieth century.]<\/p>\n

What is left of the liberated woman in German discourses of 1989 relating to embodied quotidian experience? Discussions of socialist politics of the body regarding the everyday remain infrequent and often limited to exploring nudist practices as an exotic but widespread phenomenon in the GDR. Nudist practices often signal a point of reference for cultural differences between East and West and symbolize generally a different image of women in GDR society\u2014the liberated woman.<\/p>\n","protected":false},"excerpt":{"rendered":"

Jahrhundertschritt by Wolfgang Mattheuer \u00a9 Stiftung Haus der Geschichte der Bundesrepublik Deutschland (IMAGE 14)\u00a0–\u00a0Click Image to Continue Jahrhundertschritt Gleichschritt und eigener Weg, Hitlergru\u00df und Proletarierfaust, Militarismus und Widerstand, Diktatur und Freiheit \u2013 ein R\u00fcckblick auf das 20. Jahrhundert. (Mattheuer 1) [Step of a century Marching and individual pace, Hitler sign and proletarian fist, Militarism and […]<\/p>\n","protected":false},"author":4062,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":["post-9713","post","type-post","status-publish","format-standard","hentry","category-article","wpautop"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p707hj-2wF","_links":{"self":[{"href":"https:\/\/imaginations.space\/index.php?rest_route=\/wp\/v2\/posts\/9713","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/imaginations.space\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/imaginations.space\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/imaginations.space\/index.php?rest_route=\/wp\/v2\/users\/4062"}],"replies":[{"embeddable":true,"href":"https:\/\/imaginations.space\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9713"}],"version-history":[{"count":7,"href":"https:\/\/imaginations.space\/index.php?rest_route=\/wp\/v2\/posts\/9713\/revisions"}],"predecessor-version":[{"id":9841,"href":"https:\/\/imaginations.space\/index.php?rest_route=\/wp\/v2\/posts\/9713\/revisions\/9841"}],"wp:attachment":[{"href":"https:\/\/imaginations.space\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9713"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/imaginations.space\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9713"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/imaginations.space\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9713"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}