7-2 | Table of Contents<\/a><\/p>\n Nathalie Casemajor<\/strong> est professeure au Urbanisation Culture Soci\u00e9t\u00e9 Research Centre de la INRS (Institut national de la recherche scientifique, Montreal). Ses travaux portent sur les m\u00e9dias num\u00e9riques, les pratiques culturelles et l\u2019espace urbain. Ils ont \u00e9t\u00e9 publi\u00e9s dans les revues Media, Culture & Society, <\/em>Culture et Mus\u00e9es, Communication & Langages<\/em> et Fibreculture<\/em>. Dipl\u00f4m\u00e9e de l\u2019UQAM et de l’Universit\u00e9 Lille 3, elle a \u00e9t\u00e9 chercheure postdoctorante \u00e0 l\u2019INRS (Centre Urbanisation, Culture et Soci\u00e9t\u00e9) ainsi qu\u2019au d\u00e9partement d\u2019histoire de l\u2019art et des \u00e9tudes en communication \u00e0 l\u2019Universit\u00e9 McGill. Elle a \u00e9galement travaill\u00e9 comme coordinatrice dans divers collectifs citoyens et organisations culturelles.<\/p>\n Nathalie Casemajor<\/strong> Nathalie Casemajor is an Assistant Professor in the Urbanisation Culture Soci\u00e9t\u00e9 Research Centre at INRS (Institut national de la recherche scientifique, Montreal). Her work focuses on culture, territories and communities as well as digital culture. She coedited the book Exp\u00e9riences critiques de la m\u00e9diation culturelle <\/i>(PUL, 2017), and she is a member of the Chaire Fernand Dumont sur la culture, the Groupe de recherche sur la m\u00e9diation culturelle and the Laboratoire art et soci\u00e9t\u00e9 terrains et th\u00e9ories (l\/as\/tt). She was previously an Assistant Professor at the Universit\u00e9 du Qu\u00e9bec en Outaouais, a Postdoctoral Fellow at McGill University (Department of Art History and Communications Studies) and a Visiting Scholar at the New York University (Department of Media, Culture and Communication).<\/p>\n Luc Gwiazdzinkski <\/strong>est g\u00e9ographe \u00e0 l\u2019Universit\u00e9 Grenoble-Alpes. Directeur de l’Institut de g\u00e9ographie Alpine (IGA) il est responsable du Master “Innovation et territoire. Cr\u00e9ativit\u00e9 et design des politiques publiques” (www\/masteriter.fr<\/a>) et Pr\u00e9sident fondateur du P\u00f4le des arts urbains. Chercheur au laboratoire Pacte (UMR 5194 CNRS) il oriente ses recherches sur les mobilit\u00e9, l\u2019innovation m\u00e9tropolitaine et le chrono-urbanisme. Il a notamment publi\u00e9 L’hybridation des mondes, 2016, Elya ; Les ateliers de l’imaginaire, 2015, Elya ; Urbi et Orbi, 2010, L\u2019Aube ; La fin des maires, FYP, 2008 ; Nuits d\u2019Europe, 2007, UTBM ; P\u00e9riph\u00e9ries, 2007, L’Harmattan ; La nuit derni\u00e8re fronti\u00e8re de la ville, 2005, l\u2019Aube ; Si la ville m\u2019\u00e9tait cont\u00e9e, 2005, Eyrolles ; La nuit en questions (dir.), 2005, l\u2019Aube ; La ville 24\/24, 2003, L\u2019Aube. <\/strong><\/p>\n Luc Gwiazdzinkski<\/strong> is a geographer at the Universit\u00e9 Grenoble-Alpes. He has been Director of the Institut de g\u00e9ographie Alpine (IGA) and currently directs the Master program in \u201cInnovation et territoire. Cr\u00e9ativit\u00e9 et design des politiques publiques\u201d (www\/masteriter.fr<\/a>). He is founding President of the P\u00f4le des arts urbains. A researcher at the Pacte laboratory (UMR 5194 CNRS), he pursues research on mobility, municipoal innovation and what he has termed chrono-urbanism. His published works include L\u2019hybridation des mondes<\/em> (2016); <\/strong>Les ateliers de l\u2019imaginaire<\/em> (2015); Urbi et Orbi<\/em> (2010); La fin des maires<\/em> (2008); Nuits d\u2019Europe<\/em> (2007); P\u00e9riph\u00e9ries <\/em>(2007); La nuit derni\u00e8re fronti\u00e8re de la ville <\/em>(2005); Si la ville m\u2019\u00e9tait cont\u00e9e<\/em> (2005); La nuit en questions<\/em> <\/strong>(editor; 2005); and La ville 24\/24<\/em> (2003).<\/p>\n Rebecca Halliday <\/strong>is a PhD Candidate in the Joint Graduate Program in Communication and Culture at York and Ryerson Universities. She is also a Contract Lecturer in the MA program at the Ryerson School of Fashion. Rebecca holds an MA in Theatre Studies from York University (2011) and a BA Honours in Drama and Creative Writing from the University of Alberta (2004). Her dissertation research examines transformations in the role, structure, and representation of the fashion show in a mediatized consumer culture. Her work has appeared in the journals TranscUlturAl: A Journal of Translation and Cultural Studies<\/em> and Fashion Theory: The Journal of Dress, Body and Culture<\/em> and in the edited volume Building bridges in celebrity studies<\/em> (WaterHill Press, 2016).<\/p>\n Rebecca Halliday <\/strong>est candidate au doctorat dans un programme d’\u00e9tudes sup\u00e9rieures conjoint de Communication et Culture aux Universit\u00e9s York et Ryerson. Elle est \u00e9galement charg\u00e9e de cours dans le programme de ma\u00eetrise \u00e0 l\u2019\u00e9cole de mode de Ryerson. Rebecca est titulaire d’une ma\u00eetrise en \u00e9tudes th\u00e9\u00e2trales de l’Universit\u00e9 York (2011) et d’un baccalaur\u00e9at avec mention en th\u00e9\u00e2tre et en \u00e9criture cr\u00e9ative de l’Universit\u00e9 de l’Alberta (2004). Sa recherche de th\u00e8se examine les transformations dans le r\u00f4le, la structure, et la repr\u00e9sentation des d\u00e9fil\u00e9s de mode dans une culture de consommation m\u00e9diatis\u00e9e. Ses travaux ont \u00e9t\u00e9 publi\u00e9s dans les revues TranscUlturAl : A Journal of Translation and Cultural Studies <\/em>et Fashion Theory: The Journal of Dress, Body and Culture<\/em> et dans le volume r\u00e9vis\u00e9 Building bridges in celebrity studies<\/em> (WaterHill Press, 2016). <\/strong><\/p>\n Laura Moncion<\/strong> is currently an MA student at the University of Toronto\u2019s Centre for Medieval Studies working on medieval history, queer theory, and historiography.<\/p>\n Laura Moncion<\/strong> est \u00e9tudiante dipl\u00f4m\u00e9e qui travaille dans les disciplines d\u2019histoire m\u00e9di\u00e9vale, de th\u00e9orie queer, et d\u2019historiographie. Elle est actuellement candidate \u00e0 la ma\u00eetrise au Centre for Medieval Studies \u00e0 l\u2019Universit\u00e9 de Toronto.<\/p>\n Livia Radwanski<\/strong> is a Brazilian freelance photographer and cinematographer based in M\u00e9xico City. The exposure to several cultures at an early age\u2014growing up in Brazil, Mexico, and Argentina\u2014determined her profound interest in understanding and exploring themes that are culturally specific and how they can be transmitted and translated outside their own context. She received a BFA in Film\/Animation\/Video at Rhode Island School of Design in 2006. She worked at Pochron Studios, a fine art printing and retouching studio in New York City, before moving back to Latin America. Her photobook Unos Otros M\u00e9xicos I<\/a> was finalist in the I International Iberoamerican Photobook Award coordinated by RM editorial in 2010 and she received honourable mention at the II Artist Book Fair coordinated by Centro de la Imagen during Fotoseptiembre 2011. Her multimedia documentary project M\u00e9rida90<\/a> was published as a book in 2012 by Tumbona Ediciones and exhibited in the collective show “Gentrification is not a lady\u2019s name” at the Modern Art Museum in Mexico City in 2013 and in 2016 in the exhibit “Piso- Pilot: Barcelona- Mexico” at the Franz Mayer Museum. Her long-term work with the sound system community Sonideros has been exhibited in Mexico, Spain, and England and has been published in an e-book: Sonideros en las Aceras, V\u00e9ngase la Gozadera<\/em><\/a>.<\/em> Her portraits of the Palo Alto Cooperative<\/a> was exhibited in the Mexico Pavillion in the XV Architecture Biennale di Venezia: Reporting from the front<\/em>.<\/p>\n Livia Radwanski<\/strong> est une photographe ind\u00e9pendante et cin\u00e9aste br\u00e9silienne \u00e9tablie \u00e0 Mexico. Une exposition \u00e0 plusieurs cultures d\u00e8s son plus jeune \u00e2ge, ayant grandi au Br\u00e9sil, au Mexique et en Argentine, a fa\u00e7onn\u00e9 l\u2019int\u00e9r\u00eat profond qu\u2019elle \u00e9prouve pour la compr\u00e9hension et l’exploration de th\u00e8mes culturellement sp\u00e9cifiques et pour la fa\u00e7on dont ils peuvent \u00eatre transmis et traduits en dehors de leur propre contexte. Elle a obtenu un baccalaur\u00e9at \u00e8s beaux-arts en Cin\u00e9ma\/Animation\/Vid\u00e9o de la Rhode Island School of Design en 2006. Elle a travaill\u00e9 au Pochron Studios, un studio d\u2019impression et de retouche des beaux-arts \u00e0 New York, avant de retourner en Am\u00e9rique latine. Son livre de photographies Unos Otros M\u00e9xicos I<\/a> a \u00e9t\u00e9 finaliste \u00e0 la 1re<\/sup> \u00e9dition de la comp\u00e9tition Ib\u00e9ro-am\u00e9ricaine internationale RM<\/em> Photobook Award <\/em>en 2010 et a re\u00e7u une mention honorable lors de la 2e<\/sup> \u00e9dition de la Artist Book Fair <\/em>coordonn\u00e9e par le Centro de la Imagen <\/em>durant le festival Fotoseptiembre 2011<\/em>. Son projet documentaire multim\u00e9dia M\u00e9rida90<\/a> a \u00e9t\u00e9 publi\u00e9 sous forme de livre en 2012 par Tumbona Ediciones et a \u00e9t\u00e9 expos\u00e9 durant le spectacle collectif \u00ab Gentrification is not a lady\u00b4s name \u00bb au Mus\u00e9e d’art moderne de Mexico en 2013 et durant l\u2019exposition \u00ab Piso- Pilot: Barcelona- Mexico \u00bb au Mus\u00e9e Franz Mayer en 2016. Son travail de longue date avec la communaut\u00e9 du programme de musique Sonideros<\/em> a \u00e9t\u00e9 expos\u00e9 au Mexique, en Espagne et en Angleterre et a \u00e9t\u00e9 publi\u00e9 dans un livre \u00e9lectronique : Sonideros en las Aceras, V\u00e9ngase la Gozadera<\/a>. Ses portraits de la Palo Alto Cooperative<\/a> ont \u00e9t\u00e9 expos\u00e9s au pavillon de Mexico lors de la 15e<\/sup> \u00e9dition de l\u2019\u00e9v\u00e9nement d\u2019architecture Biennale di Venezia: Reporting from the front<\/em>.<\/p>\n Jhessica Reia <\/strong>is a doctoral candidate in the Communication and Culture Program at the Federal University of Rio de Janeiro. She works as project manager at the Center for Technology and Society at FGV Law School and was a visiting researcher at McGill University from 2015 to 2016.<\/p>\n Jhessica<\/strong> Reia <\/strong>est une \u00e9tudiante du doctorat en Communication et Culture dans l’Universit\u00e9 F\u00e9d\u00e9rale du Rio de Janeiro. Elle travaille comme coordinatrice de projet au Centre de Recherche sur la Technologie et la Soci\u00e9t\u00e9 dans l\u2019\u00c9cole de Droit de FGV (CTS-FGV) et \u00e9tait chercheuse invit\u00e9e \u00e0 l’Universit\u00e9 McGill entre 2015 et 2016.<\/p>\n Katie Rochow<\/strong> is completing her PhD in Media Studies at Victoria University of Wellington, New Zealand. Her research focuses on the spatial dynamics of local music-making in Wellington and Copenhagen. Katie holds a Master of Social Sciences in Media and Communication Studies from Uppsala University, Sweden.<\/p>\n Katie Rochow<\/strong> effectue sa th\u00e8se en science des medias \u00e0 l\u2019Universit\u00e9 Victoria de Wellington en Nouvelle Z\u00e9lande. Ses recherches se concentrent sur les dynamiques spatiales des sc\u00e8nes musicales de Wellington et Copenhague. Katie a un Master en Science Sociale des Medias et de la Communication obtenu \u00e0 l\u2019Universit\u00e9 d\u2019Uppsala en Su\u00e8de.<\/p>\n Jonathan Rouleau<\/strong> is a PhD candidate in the Department of Art History & Communication Studies at McGill University. His thesis examines the ways in which the four universities in Montreal and their student population structure, shape, and represent the cultural scenes in the city. His research interests include urban culture, popular music, and urban tourism. Jonathan is the Laboratory of Urban Culture Fellow at Salon 1861 in Montreal (IPLAI).<\/p>\n Jonathan Rouleau<\/strong> est candidat au doctorat dans le D\u00e9partement d\u2019histoire de l\u2019art et d\u2019\u00e9tudes en communication \u00e0 l\u2019Universit\u00e9 McGill. Sa th\u00e8se porte sur les fa\u00e7ons dont les quatre universit\u00e9s et la population \u00e9tudiante \u00e0 Montr\u00e9al structurent, fa\u00e7onnent et repr\u00e9sentent les sc\u00e8nes culturelles en ville. Il s\u2019int\u00e9resse notamment \u00e0 la culture urbaine, la musique populaire et au tourisme urbain. Jonathan est le boursier IPLAI du laboratoire de culture urbaine situ\u00e9 au Salon 1861 \u00e0 Montr\u00e9al.<\/p>\n Steven Schoen<\/strong> is Assistant Professor of Critical Media and Cultural Studies at Rollins College in Orlando, Florida. He studies documentary and media representations of gender and sexuality. His publications include \u201cMaking Sense Under a Midnight Sun: Transdisciplinary Art, Documentary Film, and Cultural Exchange\u201d in Cultural Studies\u2014Critical Methodologies<\/em> and \u201cBlackfish-ing for Buzz: The Rhetoric of the Real in Theme Parks and Documentary\u201d in the Journal of Florida Studies<\/em>. His most recent documentary, Groaning from the Soul<\/em> (2016), documents the visit of Professor Carolyn Ellis and Holocaust survivor Jerry Rawicki to the Nazi death camp Treblinka where Rawicki’s mother and sister died.<\/p>\n Steven Schoen <\/strong>est professeur adjoint en \u00e9tudes critiques des m\u00e9dias et en \u00e9tudes culturelles au Rollins College \u00e0 Orlando, en Floride. Il \u00e9tudie le documentaire et les repr\u00e9sentations m\u00e9diatiques du genre et de la sexualit\u00e9. Ses publications incluent : \u00ab Making Sense Under a Midnight Sun: Transdisciplinary Art, Documentary Film, and Cultural Exchange \u00bb dans la revue Cultural Studies – Critical Methodologies<\/em> et \u00ab Blackfish-ing for Buzz: The Rhetoric of the Real in Theme Parks and Documentary \u00bb dans le Journal of Florida Studies<\/em>. Son dernier film, Groaning from the Soul<\/em> (2016), documente la visite de la professeure Carolyn Ellis et du survivant de l\u2019Holocauste Jerry Rawicki au camp de la mort nazi de Treblinka, o\u00f9 la m\u00e8re et la s\u0153ur de Rawicki sont d\u00e9c\u00e9d\u00e9es.<\/p>\n Armando Silva<\/strong> received his PhD in Philosophy and Comparative Literature at the University of California. His dissertation, Family Photo Album: The Image of Ourselves<\/em>, under the guidance of Jaqcues Derrida, won best foreign doctoral dissertation at the Universities of California (1996). He is the author of 20 books, including Urban Imaginaries<\/em> (10 editions, translated to several languages), director of the international project \u201cUrban Imaginaries,\u201d and editor of the series: Imagined Cities<\/em> and audiovisual program TV Imagined Cities<\/em>. He has been invited to major world events of art and culture such as Documenta 11 in Kassel, Germany (2002), Sao Paulo Biennale (2004), and Venice Biennale (2006). His complete work in retrospect was exhibited at the Antoni Tapies Foundation in Barcelona 2007, and he is currently the Director of the PhD program in Social Studies at Universidad Externado de Colombia.<\/p>\n Armando Silva<\/strong> est docteur en philosophie et litt\u00e9rature compar\u00e9e de l’Universit\u00e9 de Californie o\u00f9 il a \u00e9crit sa th\u00e8se sous la direction de J. Derrida (Family Photo Album: The Image of Ourselves<\/em>, prix de la meilleure th\u00e8se \u00e9trang\u00e8re \u00e0 l’universit\u00e9 de Californie, 1996). Auteur de vingt livres, notamment Imaginarios urbanos<\/em> (10 \u00e9ditions, traduit en plusieurs langues), il est directeur du projet international \u00ab Imaginaires urbains \u00bb, r\u00e9dacteur en chef de la s\u00e9rie “Imagined Cities” et du programme audiovisuel \u00ab ciudades imaginadas para TV \u00bb. Il a \u00e9t\u00e9 invit\u00e9 \u00e0 intervenir lors de grands \u00e9v\u00e9nements mondiaux de l’art et de la culture comme la Documenta 11 \u00e0 Kassel, Allemagne (2002), la Biennale de Sao Paulo (2004) et la Biennale de Venise (2006). Une r\u00e9trospective de ses \u0153uvres compl\u00e8tes a \u00e9t\u00e9 pr\u00e9sent\u00e9e \u00e0 la Fondation Antoni Tapies \u00e0 Barcelone en 2007. Il est actuellement directeur du doctorat en \u00e9tudes sociales de l’Universit\u00e9 Externado de Colombie.<\/p>\n Armando Silva<\/strong> PhD en Filosof\u00eda y Literatura Comparada de la Universidad de California donde escribi\u00f3 su tesis bajo la asesor\u00eda de J Derrida, Family Photo Album: The Image of Ourselves, <\/em> ganadora del premio a mejor tesis extranjera en las universidades de California (1996). Autor de 20 de libros, como Imaginarios urbanos<\/em> (10 ediciones, traducido en varias lenguas); director del proyecto internacional \u201cImaginarios urbanos\u201d, editor de la serie\u201d Ciudades imaginadas\u201d y del programa audiovisual \u201cciudades imaginadas para TV\u201d. Invitado a grandes eventos mundiales de arte y cultura como Documenta 11 en Kassel, Alemania (2002); Bienal de Sao Paulo (2004); Bienal de Venecia (2006). Su obra completa en retrospectiva se exhibi\u00f3 en la Fundaci\u00f3n Antoni T\u00e0pies de Barcelona, 2007. Actualmente es director del Doctorado en Estudios Sociales de la Universidad Externado de Colombia<\/p>\n Maria Teresa Soldani<\/strong> has a PhD in History of Art and Performing Arts<\/em> (Pegaso Program\u2014Universities of Florence, Pisa, and Siena). She graduated summa cum laude<\/em> from the University of Pisa, holding two degrees with concentrations in Music (B.A.) and in Cinema and Multimedia Arts (M.A.). In 2015 she was visiting research fellow at McGill University in Montr\u00e9al, Qu\u00e9bec. She published the monograph Naked City. Features of Identity, Independence, and Research in the Filmography on New York City<\/em> (2013), as well as articles in books and journals (Cin\u00e9ma&Cie<\/em>, SegnoCinema<\/em>, Duellanti<\/em>, Invideo<\/em>\u2019s catalogue). She is a filmmaker, composer, and musician.<\/p>\n Maria Teresa Soldani<\/strong> d\u00e9tient un doctorat en Histoire de l\u2019art et des arts de la sc\u00e8ne (Programme Pegaso \u2013 Universit\u00e9s de Florence, Pise et Sienne, Italie). Elle a re\u00e7u la mention summa cum laude <\/em>de l\u2019Universit\u00e9 de Pise avec une sp\u00e9cialisation en Musique (B.A.) et en Cin\u00e9ma et arts multim\u00e9dias (M.A.). En 2015, elle fut chercheuse invit\u00e9e \u00e0 l’Universit\u00e9 McGill situ\u00e9e \u00e0 Montr\u00e9al, Qu\u00e9bec. Elle est l\u2019auteure de l\u2019ouvrage Naked City : Identit\u00e9, ind\u00e9pendance et recherche dans la filmographie newyorkaise <\/em>(2013) et de nombreux articles r\u00e9dig\u00e9s pour des livres et revues (Cin\u00e9ma&Cie, SegnoCinema, Duellanti, Invideo). Elle est r\u00e9alisatrice, compositrice et musicienne.<\/p>\n Geoff Stahl<\/strong> is a Senior Lecturer in Media Studies at Victoria University of Wellington, New Zealand. His research focuses on scenes and subcultures. His publications include Understanding Media Studies<\/em> (OUP, 2009), Poor, But Sexy: Reflections on Berlin Scenes<\/em> (Peter Lang, 2014), and Made in Australia and New Zealand: Studies in Popular Music<\/em> (forthcoming, Routledge, 2017).<\/p>\n Geoff Stahl<\/strong> est maitre de conf\u00e9rence en Science des Medias a l\u2019Universit\u00e9 Victoria de Wellington en Nouvelle Z\u00e9lande. Ses recherches se concentrent sur les sc\u00e8nes et sous-cultures. Il est l\u2019auteur de \u201cUnderstanding Media Studies\u201d (OUP, 2009) \u201cPoor, But Sexy: Reflections on Berlin Scenes\u201d (Peter Lang, 2014), and \u201cMade in Australia and New Zealand: Studies in Popular Music (en cours de publication, Routledge, 2017). <\/strong><\/p>\n Will Straw<\/strong> is James McGill Professor of Urban Media Studies in the Department of Art History and Communication Studies at the McGill University in Montr\u00e9al. He is the author of Cyanide and Sin: Visualizing Crime in Fifties America<\/em> (PPP Editions, 2006) and more than 150 academic articles on popular music, cinema, newspapers, and urban culture. He is currently working on the culture of night.<\/p>\n Will Straw<\/strong> est James McGill Professor of Urban Media Studies au D\u00e9partement d\u2019histoire de l\u2019art et des \u00e9tudes en communication de l\u2019Universit\u00e9 McGill \u00e0 Montr\u00e9al. Il est notamment l\u2019auteur du livre Cyanide and Sin: Visualizing Crime in Fifties America<\/em> (PPP Editions, 2006) et de plus de 150 articles sur les musiques populaires, le cin\u00e9ma, la presse \u00e9crite et la culture urbaine. Il travaille actuellement sur la culture de la nuit. <\/strong><\/p>\n Kathryn Yuen<\/strong> is a self-proclaimed night owl, who prefers writing under the cover of night. She has grown up attending Toronto\u2019s Nuit Blanche with friends and family and continues to do so when she is back in her home city. Kathryn has lived in Montreal and overseas in the UK, earning a BA from McGill University and an MA from University College London, both degrees in the history of art.<\/p>\n Kathryn Yuen<\/strong> se dit elle-m\u00eame une noctambule qui pr\u00e9f\u00e8re \u00e9crire durant la nuit. Elle a grandi en fr\u00e9quentant la Nuit Blanche de Toronto avec ses amis et sa famille, et elle continue d\u2019y participer quand elle est de retour dans sa ville natale. Kathryn a v\u00e9cu \u00e0 Montr\u00e9al et \u00e0 l’\u00e9tranger au Royaume-Uni, o\u00f9 elle a obtenu deux dipl\u00f4mes en histoire de l’art : un baccalaur\u00e9at de l’Universit\u00e9 McGill et une ma\u00eetrise de l\u2019University College London de Londres.<\/p>\n","protected":false},"excerpt":{"rendered":" 7-2 | Table of Contents Nathalie Casemajor est professeure au Urbanisation Culture Soci\u00e9t\u00e9 Research Centre de la INRS (Institut national de la recherche scientifique, Montreal). Ses travaux portent sur les m\u00e9dias num\u00e9riques, les pratiques culturelles et l\u2019espace urbain. Ils ont \u00e9t\u00e9 publi\u00e9s dans les revues Media, Culture & Society, Culture et Mus\u00e9es, Communication & Langages et […]<\/p>\n","protected":false},"author":4062,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[131],"tags":[],"class_list":["post-9374","post","type-post","status-publish","format-standard","hentry","category-7-2-the-visuality-of-scenes","wpautop"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p707hj-2rc","_links":{"self":[{"href":"https:\/\/imaginations.space\/index.php?rest_route=\/wp\/v2\/posts\/9374","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/imaginations.space\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/imaginations.space\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/imaginations.space\/index.php?rest_route=\/wp\/v2\/users\/4062"}],"replies":[{"embeddable":true,"href":"https:\/\/imaginations.space\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9374"}],"version-history":[{"count":8,"href":"https:\/\/imaginations.space\/index.php?rest_route=\/wp\/v2\/posts\/9374\/revisions"}],"predecessor-version":[{"id":10621,"href":"https:\/\/imaginations.space\/index.php?rest_route=\/wp\/v2\/posts\/9374\/revisions\/10621"}],"wp:attachment":[{"href":"https:\/\/imaginations.space\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9374"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/imaginations.space\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9374"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/imaginations.space\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9374"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
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