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{"id":9149,"date":"2017-03-17T12:47:50","date_gmt":"2017-03-17T18:47:50","guid":{"rendered":"https:\/\/imaginations.space\/?p=9149"},"modified":"2017-11-03T07:13:38","modified_gmt":"2017-11-03T13:13:38","slug":"imaginations7-2-visuality-scenes-table-contents","status":"publish","type":"post","link":"https:\/\/imaginations.space\/?p=9149","title":{"rendered":"<em>Imaginations<\/em> 7-2 The Visuality of Scenes | Table of Contents"},"content":{"rendered":"<p><strong><a href=\"https:\/\/imaginations.space\/?p=9152\" target=\"_blank\" rel=\"noopener noreferrer\">The Visuality of Scenes:\u00a0Urban Cultures and Visual Scenescapes<\/a>\u00a0\/<br \/>\n<\/strong><a href=\"https:\/\/imaginations.space\/?p=9461\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>La visualit\u00e9 des sc\u00e8nes :\u00a0<\/strong><strong>Cultures urbaines et formes visuelles des paysages sc\u00e9niques<\/strong><\/a>\u00a0(translation\/traduction : Jonathan Rouleau)<strong><a href=\"https:\/\/imaginations.space\/?p=9461\" target=\"_blank\" rel=\"noopener noreferrer\"><br \/>\n<\/a><\/strong>Nathalie Casemajor and Will Straw<\/p>\n<p><a href=\"https:\/\/imaginations.space\/?p=9156\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Nuit Debout:<br \/>\nPremi\u00e8re Approche du R\u00e9gime de Visualit\u00e9 d\u2019une Sc\u00e8ne Nocturne<\/strong><\/a><br \/>\nLuc Gwiazdzinski<\/p>\n<p><a href=\"https:\/\/imaginations.space\/?p=9159\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Every (Nocturnal) Scene Leaves a Trace:<br \/>\nThe Nighttime Landscape of <em>Ciutat Vella<\/em>, Barcelona<\/strong><\/a><br \/>\nJonathan Rouleau<\/p>\n<p><a href=\"https:\/\/imaginations.space\/?p=9161\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>The Performance of the Austin Indie Scene in <em>Slacker<\/em>:<br \/>\nFrom the Body of a Scene to the Body of a Generation<\/strong><\/a><br \/>\nMaria Teresa Soldani<\/p>\n<p><a href=\"https:\/\/imaginations.space\/?p=9165\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Homogenizing the City\/Re-classifying the Street:<br \/>\nTommy Ton\u2019s <em>Street Style<\/em> Fashion Show Photographs<\/strong><\/a><br \/>\nRebecca Halliday<\/p>\n<p><a href=\"https:\/\/imaginations.space\/?p=9167\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Around the X:<br \/>\nReflections on Straight Edge, Visuality, and Identity Boundaries<\/strong><\/a><br \/>\nJhessica Reia<\/p>\n<p><a href=\"https:\/\/imaginations.space\/?p=9169\"><strong>The Scene and the Unseen:<br \/>\nMapping the (Affective) Rhythms of Wellington and\u00a0Copenhagen<\/strong><\/a><br \/>\nKatie Rochow and Geoff Stahl<\/p>\n<p><a href=\"https:\/\/imaginations.space\/?p=9171\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Identity and Scene:<br \/>\nAlterity and Authenticity in <em>Taxicab Confessions<\/em><\/strong><\/a><br \/>\nSteven W. Schoen<\/p>\n<p><strong><a href=\"https:\/\/imaginations.space\/?p=9173\" target=\"_blank\" rel=\"noopener noreferrer\">Toronto\u2019s Nuit Blanche:<br \/>\nSite-specificity, Spectacle, and Spectatorship<\/a><\/strong><br \/>\nKathryn Yuen<\/p>\n<p><a href=\"https:\/\/imaginations.space\/?p=9175\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Imaginaries in Contemporary Aesthetics<\/strong><\/a><br \/>\nArmando Silva<br \/>\nTranslated by Geraldine Barandiaran<\/p>\n<p><strong><a href=\"https:\/\/imaginations.space\/?p=9177\" target=\"_blank\" rel=\"noopener noreferrer\">Cultura Sonidera: Interview with\u00a0Livia Radwanski<\/a><br \/>\n<\/strong>Livia Radwanski, Nathalie Casemajor, and Will Straw<\/p>\n<hr \/>\n<h5>Stand-Alone Article<\/h5>\n<p><a href=\"https:\/\/imaginations.space\/?p=9181\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Time Frames:<br \/>\nGraphic Narrative and Historiography in Richard McGuire\u2019s <\/strong><em><strong>Here<\/strong><br \/>\n<\/em><\/a>Laura Moncion<\/p>\n<hr \/>\n<p style=\"text-align: left;\"><a href=\"https:\/\/imaginations.space\/?p=9374\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Contributor Bios<\/strong><\/a><\/p>\n<p style=\"text-align: center;\">Guest Editors:\u00a0Nathalie Casemajor and Will Straw<br \/>\nEditor-in-Chief: Sheena Wilson<br \/>\nManaging Editor: Brent Ryan Bellamy<br \/>\nEnglish Substantive and Copy Editor: Shama Rangwala<br \/>\nFrench Translator and Copy Editor:\u00a0\u00c8ve\u00a0Robidoux-Descary<br \/>\nWeb Editor: Brent Ryan Bellamy<br \/>\nPDF Layout and Design: John Montague<br \/>\nTranslator (Spanish):\u00a0Geraldine Barandiaran<br \/>\nFeatured Image:\u00a0Sonido Momis Music from San Miguel Teca neighborhood setting up audio and lighting for the Martin Carrera neighborhood annual carnival. Martin Carrera, Mexico City. February, 2015.<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/imaginations.space\/wp-content\/uploads\/2016\/11\/7-2-Vis-of-Scenes-Reader-Spreads.pdf\" target=\"_blank\" rel=\"noopener\">7-2 Full Issue PDF<\/a> |\u00a0http:\/\/dx.doi.org\/10.17742\/IMAGE.VOS.7-2<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Visuality of Scenes:\u00a0Urban Cultures and Visual Scenescapes\u00a0\/ La visualit\u00e9 des sc\u00e8nes :\u00a0Cultures urbaines et formes visuelles des paysages sc\u00e9niques\u00a0(translation\/traduction : Jonathan Rouleau) Nathalie Casemajor and Will Straw Nuit Debout: Premi\u00e8re Approche du R\u00e9gime de Visualit\u00e9 d\u2019une Sc\u00e8ne Nocturne Luc Gwiazdzinski Every (Nocturnal) Scene Leaves a Trace: The Nighttime Landscape of Ciutat Vella, Barcelona Jonathan [&hellip;]<\/p>\n","protected":false},"author":4062,"featured_media":9323,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[131],"tags":[],"class_list":["post-9149","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-7-2-the-visuality-of-scenes","wpautop"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/imaginations.space\/wp-content\/uploads\/2017\/02\/Sonideros_L.Radwanski\uf022EPS_08.WEB_.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p707hj-2nz","_links":{"self":[{"href":"https:\/\/imaginations.space\/index.php?rest_route=\/wp\/v2\/posts\/9149","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/imaginations.space\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/imaginations.space\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/imaginations.space\/index.php?rest_route=\/wp\/v2\/users\/4062"}],"replies":[{"embeddable":true,"href":"https:\/\/imaginations.space\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9149"}],"version-history":[{"count":19,"href":"https:\/\/imaginations.space\/index.php?rest_route=\/wp\/v2\/posts\/9149\/revisions"}],"predecessor-version":[{"id":10180,"href":"https:\/\/imaginations.space\/index.php?rest_route=\/wp\/v2\/posts\/9149\/revisions\/10180"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/imaginations.space\/index.php?rest_route=\/wp\/v2\/media\/9323"}],"wp:attachment":[{"href":"https:\/\/imaginations.space\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9149"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/imaginations.space\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9149"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/imaginations.space\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9149"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}