Return to Portfolio<\/span><\/a><\/strong><\/p>\n[portfolio_slideshow]<\/p>\n
2011<\/strong><\/p>\n01. femininity<\/em> 1984
\n02. cement finger, from cement 04, <\/em>2011-02-02
\n03. unruhestift, from wei\u00dfer neger 23,<\/em> 2011-05-9
\n04. concrete hijab, from wei\u00dfer neger 24, <\/em>2011-05-9
\n05. concrete wall, from concrete party 01<\/em>, 2011-05-27
\n06. walled in: ANTI GONE, from concrete party 27, <\/em>2011-08-11
\n07. engsternig, from oral call 06<\/em>, 2011-09-09
\n08. HIJAB, from oral call 06<\/em>, 2011-09-12
\n09. writing on the wall to wall, from oral call 09<\/em>, 2011-09-26
\n10. femininiation<\/em> 2011
\n11. Lady of Ephesus, from oral call 20<\/em>
\n12. I Ching, from oral call 23<\/em>
\n13. suspended beliefs, from oral call 22<\/em>
\n14. cross word, from cross word 2a <\/em>
\n15. bleu de chanel, from cross word 2b<\/em>
\n16. eradictate my roots, from cross word 2c<\/em>
\n17. silly cone, from cross word 2d<\/em><\/p>\nInformation<\/strong><\/p>\nIm Stil und Absicht sind sie \u201ekonkrete Poesie\u201c, eine Kollektion aus durcheinander geworfenen, abstrakten Gedanken, die alle zusammen, Alltag und Gem\u00fct der K\u00fcnstlerin reflektieren. Es ist hervorzuheben, dass diese Poesie improvisiert ist und in einer Art “\u00c9criture Automatique” sofort niedergeschrieben wurde.\u00a0Tanya Urys geschriebene Poesie k\u00f6nnte man als \u201ekonkret\u201c bezeichnen: wegen des visuellen Design beim Betrachten und des unkonventionellen Klangs beim Aufsagen derselben \u2013 die Texte gewinnen dadurch Dimensionen jenseits der g\u00e4ngigen Wort-Bedeutung.<\/p>\n
\nIn its style and intention the concrete poetry is a collection of jumbled, abstract ideas that reflect the day-to-day life and mood of the artist. Above all, it is improvised and written down immediately – in essence it is automatic writing.\u00a0Tanya Ury\u2019s written poetry may be regarded as \u201cconcrete\u201d because of its visual design, and unconventional aural effect when spoken – the texts thereby gain in dimension beyond accepted meaning.<\/div><\/p>\n
La po\u00e9sie concr\u00e8te est un assemblage d\u2019id\u00e9es abstraites et en pagaille qui refl\u00e8tent le quotidien et l\u2019humeur de l\u2019artiste. Elle est improvis\u00e9e et \u00e9crite sur-le-champ \u2014 essentiellement, il s\u2019agit d\u2019une \u00e9criture automatique.\u00a0La po\u00e9sie \u00e9crite de Tanya Ury peut \u00eatre consid\u00e9r\u00e9e comme \u201cconcr\u00e8te\u201d en raison de son design visuel et de l’effet auditif inusit\u00e9 qu’elle produit lorsqu\u2019elle est r\u00e9cit\u00e9e. Cela lui conf\u00e8re une dimension au-del\u00e0 du sens consensuel.<\/div>
<\/div><\/p>\n","protected":false},"excerpt":{"rendered":"
Return to Portfolio [portfolio_slideshow] 2011 01. femininity 1984 02. cement finger, from cement 04, 2011-02-02 03. unruhestift, from wei\u00dfer neger 23, 2011-05-9 04. concrete hijab, from wei\u00dfer neger 24, 2011-05-9 05. concrete wall, from concrete party 01, 2011-05-27 06. walled in: ANTI GONE, from concrete party 27, 2011-08-11 07. engsternig, from oral call 06, 2011-09-09 […]<\/p>\n","protected":false},"author":4062,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[96,4,16],"tags":[],"class_list":["post-2626","post","type-post","status-publish","format-standard","hentry","category-stealing-the-image-3-1","category-article","category-guest-artists","wpautop"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p707hj-Gm","_links":{"self":[{"href":"https:\/\/imaginations.space\/index.php?rest_route=\/wp\/v2\/posts\/2626","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/imaginations.space\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/imaginations.space\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/imaginations.space\/index.php?rest_route=\/wp\/v2\/users\/4062"}],"replies":[{"embeddable":true,"href":"https:\/\/imaginations.space\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2626"}],"version-history":[{"count":21,"href":"https:\/\/imaginations.space\/index.php?rest_route=\/wp\/v2\/posts\/2626\/revisions"}],"predecessor-version":[{"id":6988,"href":"https:\/\/imaginations.space\/index.php?rest_route=\/wp\/v2\/posts\/2626\/revisions\/6988"}],"wp:attachment":[{"href":"https:\/\/imaginations.space\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2626"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/imaginations.space\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2626"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/imaginations.space\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2626"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}