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{"id":13663,"date":"2020-12-23T11:18:24","date_gmt":"2020-12-23T16:18:24","guid":{"rendered":"https:\/\/imaginations.space\/?p=13663"},"modified":"2021-02-11T18:53:20","modified_gmt":"2021-02-11T23:53:20","slug":"imaginations-11-3-visibility-and-translation","status":"publish","type":"post","link":"https:\/\/imaginations.space\/?p=13663","title":{"rendered":"IMAGINATIONS<\/em> 11-3 | Visibility and Translation"},"content":{"rendered":"

Contents<\/h2>\n

Introduction to Visibility and Translation<\/a> | Angela K\u00f6lling<\/p>\n

Image as Translation: The Ideological Implication of the Camera Obscura<\/i> for Media Studies<\/a> | Philippe Theophanidis<\/p>\n

Ravishing Vancouver Circa 1948: Life Writing and the Immersive Translation of Noir Aesthetics<\/a> | Susan Ingram<\/p>\n

Translating the \u201cDead Indian\u201d: Kent Monkman, Miss Chief Eagle Testickle, and the Painting of the American West<\/a> | Nicole Perry<\/p>\n

Selling a Story: A Case Study of Five Book Covers for Victor Pelevin\u2019s Generation \u201cP\u201d<\/a> | Malin Podlevskikh Carlstr\u00f6m<\/p>\n

Each to Their Own: Visual Representations of Terry Pratchett\u2019s Discworld<\/i> in Time and Space<\/a> | Anik\u00f3 Soh\u00e1r<\/p>\n

How Many Authors Does Finland Have? The Frankfurt Book Fair as a Platform for the Export\u200b of Literature and Culture<\/a> | Helmi-Nelli K\u00f6rkk\u00f6<\/p>\n

Translating Art Catalogues: Theoretical and Practical Issues<\/a> | Silvia Pireddu<\/p>\n

Multimodal Tasks for Translators: A Translational Dialogue with Cia Rinne and Her Work<\/a> | Angela K\u00f6lling, Cia Rinne<\/p>\n

Contributor Bios<\/a><\/p>\n

\n

Issue doi: dx.doi.org\/10.17742\/IMAGE.VT.11.3<\/p>\n

Guest Editor: Angela K\u00f6lling<\/p>\n

Editor-in-Chief: Markus Reisenleitner
\nManaging Editor: Brent Ryan Bellamy
\nEnglish Substantive and Copy Editor: Tom Laughlin
\nFrench Translator and Editor: Dominique Laurent
\nWeb & PDF Layout and Design: Markus Reisenleitner<\/p>\n

Image Credit: Cia Rinne, Das Erhabene<\/i> (2011)<\/p>\n","protected":false},"excerpt":{"rendered":"

Contents Introduction to Visibility and Translation | Angela K\u00f6lling Image as Translation: The Ideological Implication of the Camera Obscura for Media Studies | Philippe Theophanidis Ravishing Vancouver Circa 1948: Life Writing and the Immersive Translation of Noir Aesthetics | Susan Ingram Translating the \u201cDead Indian\u201d: Kent Monkman, Miss Chief Eagle Testickle, and the Painting of […]<\/p>\n","protected":false},"author":7986,"featured_media":13798,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[142],"tags":[],"class_list":["post-13663","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-11-3-visibility-and-translation","wpautop"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/imaginations.space\/wp-content\/uploads\/09-kolling-image5.jpeg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p707hj-3yn","_links":{"self":[{"href":"https:\/\/imaginations.space\/index.php?rest_route=\/wp\/v2\/posts\/13663","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/imaginations.space\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/imaginations.space\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/imaginations.space\/index.php?rest_route=\/wp\/v2\/users\/7986"}],"replies":[{"embeddable":true,"href":"https:\/\/imaginations.space\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=13663"}],"version-history":[{"count":23,"href":"https:\/\/imaginations.space\/index.php?rest_route=\/wp\/v2\/posts\/13663\/revisions"}],"predecessor-version":[{"id":13904,"href":"https:\/\/imaginations.space\/index.php?rest_route=\/wp\/v2\/posts\/13663\/revisions\/13904"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/imaginations.space\/index.php?rest_route=\/wp\/v2\/media\/13798"}],"wp:attachment":[{"href":"https:\/\/imaginations.space\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=13663"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/imaginations.space\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=13663"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/imaginations.space\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=13663"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}