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{"id":12706,"date":"2019-12-30T09:50:10","date_gmt":"2019-12-30T14:50:10","guid":{"rendered":"https:\/\/imaginations.space\/?p=12706"},"modified":"2020-04-03T21:08:28","modified_gmt":"2020-04-04T01:08:28","slug":"imaginations-10-2-open-issue","status":"publish","type":"post","link":"https:\/\/imaginations.space\/?p=12706","title":{"rendered":"<em>IMAGINATIONS<\/em> 10-2 | OPEN ISSUE"},"content":{"rendered":"<h2>Contents<\/h2>\n<p><a href=\"http:\/\/dx.doi.org\/10.17742\/IMAGE.OI.10.2.1\" target=\"_blank\" rel=\"noopener noreferrer\">On the Mediality of Two Towers: Calgary\u2014Toronto<\/a> | Ira Wagman and Liam Cole Young<\/p>\n<p><a href=\"http:\/\/dx.doi.org\/10.17742\/IMAGE.OI.10.2.2\" target=\"_blank\" rel=\"noopener noreferrer\">Terraformings<\/a> | Vincent Bruyere<\/p>\n<p><a href=\"http:\/\/dx.doi.org\/10.17742\/IMAGE.OI.10.2.3\" target=\"_blank\" rel=\"noopener noreferrer\">Identity without Similarity: The Relation between the Individual and Her Picture<\/a> | Maja Tabea Jerrentrup<\/p>\n<p><a href=\"http:\/\/dx.doi.org\/10.17742\/IMAGE.OI.10.2.4\" target=\"_blank\" rel=\"noopener noreferrer\">\u201cSharp Sybaritic\u201d Retrofuturistic Deco Realism: Some Preliminary Notes on the 1980s Airbrush Art<\/a> | Ursula-Helen Kassaveti<\/p>\n<p><a href=\"http:\/\/dx.doi.org\/10.17742\/IMAGE.OI.10.2.5\" target=\"_blank\" rel=\"noopener noreferrer\">Dis\/Corporatization: The Biopolitics of Prosthetic Lives and Posthuman Trauma in <em>Ghost in the Shell<\/em> Films<\/a> | Donna T. Tong<\/p>\n<p><a href=\"http:\/\/dx.doi.org\/10.17742\/IMAGE.OI.10.2.6\" target=\"_blank\" rel=\"noopener noreferrer\">A Different Pitch: Listening to Water Through Contemporary Art in a Time of Extraction<\/a> | Ruth Beer and Caitlin Chaisson<\/p>\n<p><a href=\"http:\/\/dx.doi.org\/10.17742\/IMAGE.OI.10.2.7\" target=\"_blank\" rel=\"noopener noreferrer\">Remembering Paris 1968: Fashion Theatre of Protest<\/a> | Elena Siemens<\/p>\n<p><a href=\"https:\/\/imaginations.space\/?p=12870\" target=\"_blank\" rel=\"noopener noreferrer\">Liberating Bicycles in Niki Caro\u2019s <em>Whale Rider<\/em> and in Haifaa Al Mansour\u2019s <em>Wadjda<\/em><\/a> | Doris Hambuch<\/p>\n<p><a href=\"https:\/\/imaginations.space\/?p=12913\" target=\"_blank\" rel=\"noopener noreferrer\">Being from a Bad Neighbourhood: Confronting Bad Decision Discourses in the Impoverished Inner City<\/a> | Laura Bisaillon, Mehdia Hassan, and Maryam Hassan<\/p>\n<p><a href=\"https:\/\/imaginations.space\/?p=12712\" target=\"_blank\" rel=\"noopener noreferrer\">Contributor Bios<\/a><\/p>\n<hr \/>\n<p style=\"text-align: center;\">Issue doi: dx.doi.org\/10.17742\/IMAGE.OI.10.2<\/p>\n<p style=\"text-align: center;\">Editor-in-Chief: Markus Reisenleitner<br \/>\nManaging Editor: Brent Ryan Bellamy<br \/>\nEnglish Substantive and Copy Editor: Thomas Laughlin<br \/>\nFrench Translator and Editor: Dominique Laurent<br \/>\nWeb &amp; PDF Layout and Design: Markus Reisenleitner<\/p>\n<p style=\"text-align: center;\">Image Credit: Maja Tabea Jerrentrup \/ Jamari Lior<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Contents On the Mediality of Two Towers: Calgary\u2014Toronto | Ira Wagman and Liam Cole Young Terraformings | Vincent Bruyere Identity without Similarity: The Relation between the Individual and Her Picture | Maja Tabea Jerrentrup \u201cSharp Sybaritic\u201d Retrofuturistic Deco Realism: Some Preliminary Notes on the 1980s Airbrush Art | Ursula-Helen Kassaveti Dis\/Corporatization: The Biopolitics of Prosthetic [&hellip;]<\/p>\n","protected":false},"author":7986,"featured_media":12609,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[139,4],"tags":[],"class_list":["post-12706","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-10-2-open-issue","category-article","wpautop"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/imaginations.space\/wp-content\/uploads\/jerrentrup-image1.png","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p707hj-3iW","_links":{"self":[{"href":"https:\/\/imaginations.space\/index.php?rest_route=\/wp\/v2\/posts\/12706","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/imaginations.space\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/imaginations.space\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/imaginations.space\/index.php?rest_route=\/wp\/v2\/users\/7986"}],"replies":[{"embeddable":true,"href":"https:\/\/imaginations.space\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12706"}],"version-history":[{"count":20,"href":"https:\/\/imaginations.space\/index.php?rest_route=\/wp\/v2\/posts\/12706\/revisions"}],"predecessor-version":[{"id":12994,"href":"https:\/\/imaginations.space\/index.php?rest_route=\/wp\/v2\/posts\/12706\/revisions\/12994"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/imaginations.space\/index.php?rest_route=\/wp\/v2\/media\/12609"}],"wp:attachment":[{"href":"https:\/\/imaginations.space\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12706"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/imaginations.space\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=12706"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/imaginations.space\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=12706"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}