Table of Contents<\/a> | PDF<\/a><\/p>\n Katrina Sark<\/b> teaches Cultural Studies, Gender and Media Studies, and Germanic and Slavic Studies at the University of Victoria. She is the Founder of the Canadian Fashion Scholars Network, and organizes the annual fashion symposia across Canada. Her overview of the Canadian Fashion Scholars Networks focuses on the importance and challenges of building networks and communities of scholarship and collaborations, the history of establishing a network of fashion scholars and professionals in Canada, and the importance of championing Canadian fashion studies, fashion design, and fashion culture nationally and internationally.<\/p>\n Katrina Sark enseigne les Etudes Culturelles, les Etudes du Genre et des M\u00e9dias, et les Etudes Slaves et Germaniques \u00e0 l\u2019Universit\u00e9 de Victoria. Elle est la fondatrice du Canadian\u00a0Fashion Scholars Network. Son travail au Canadian Fashion Scholars Network met l\u2019accent sur l\u2019importance et les difficult\u00e9s d\u2019\u00e9tablir des r\u00e9seaux et des communaut\u00e9s de recherche et de collaboration, sur l\u2019histoire de l\u2019\u00e9tablissement d\u2019un r\u00e9seau de chercheurs et de professionnels de la mode au Canada, et sur l\u2019importance de promouvoir les \u00e9tudes canadiennes de la mode, le dessin de mode et la culture de la mode aux niveaux national et international.<\/p>\n Elena Siemens<\/b> is Associate Professor in the Department of Modern Languages and Cultural Studies, University of Alberta. Her research and teaching address Visual Culture, Urban Spaces, Performance, Fashion Media, Creative Non-Fiction, and Critical Theory. Her recent publications include Street Fashion Moscow <\/i>(2017), Theatre in Passing 2: Searching for New Amsterdam<\/i>(2015), and edited collections on Subjective Fashion<\/i>(2017) and Stirred Memories and Dreams<\/i>(2016). Her recent curated student exhibits include Caf\u00e9 Counterculture <\/i>(2018), Revolution 100<\/i>(2017), <\/i>andFashion Lounge<\/i>(2016). Currently, she is working on her next exhibit dealing with travel and migration, writing a conference paper for a theatre translation conference in Estonia, and plotting a new book entitled Staging Fashion<\/i>.<\/p>\n Elena Siemens est professeure agr\u00e9g\u00e9e dans le d\u00e9partement de Langues Modernes et d\u2019Etudes Culturelles de l\u2019Universit\u00e9 d\u2019Alberta. Sa recherche et son enseignement concernent la Culture Visuelle, les Espaces Urbains, le Spectacle, la Cr\u00e9ation non-romanesque et la Th\u00e9orie Critique.\u00a0 Ses publications les plus r\u00e9centes incluent Street Fashion Moscow<\/em>\u00a0 (2017), Theatre in Passing 2: Searching for New Amsterdam<\/em>(2015), et l\u2019\u00e9dition des collections Subjective Fashion<\/em>(2017)\u00a0 et Stirred Memories and Dreams<\/em>(2016). Elle a \u00e9galement dirig\u00e9 des expositions d\u2019\u00e9tudiants qui incluent Caf\u00e9 Counterculture<\/em>(2018), Revolution 100<\/em>(2017) et Fashion and Lounge<\/em>(2016). Elle travaille actuellement sur sa prochaine exposition qui traitera du voyage et de la migration, elle r\u00e9dige \u00e9galement une communication pour une conf\u00e9rence sur la traduction th\u00e9\u00e2trale qui se tiendra en Estonie et elle pr\u00e9pare un nouveau livre qui sera intitul\u00e9 Staging Fashion.<\/em><\/p>\n Kathryn Franklin<\/b> is a Ph.D. candidate in the Humanities at York University and works as an Instructor at the Centre for Teaching and Learning at the University of Toronto, Scarborough campus. Her research explores how the language of glamour permeates the narratives of various cities, with a specific focus on Toronto. Her work has been featured in TranscUlturAl <\/i>(2016), International Journal of Fashion Studie<\/i>s (2016), The Journal of Curatorial Studies<\/i>(2013), and World Film Locations: Berlin <\/i>(2012). <\/i>She also served as a co-editor at Descant Magazine<\/i>and guest-edited its 2014 special issue on Berlin. She is the 2018-19 Christopher Isherwood Fellow at the Christopher Isherwood Foundation.<\/p>\n Kathryn Franklin est doctorante en Humanit\u00e9s \u00e0 l\u2019Universit\u00e9 York et enseigne au Center for Teaching and Learning \u00e0 l\u2019Universit\u00e9 de Toronto, campus de Scarborough. Sa recherche explore la mani\u00e8re dont le langage de la mode impr\u00e8gne la narration de plusieurs villes, avec une concentration sp\u00e9ciale sur Toronto. Son travail a \u00e9t\u00e9 pr\u00e9sent\u00e9 dans TranscUlturAl<\/em>(2016), International Journal of Fashion Studies<\/em>(2016), The Journal of Curatorial Studies<\/em>(2013) et World Film Location: Berlin<\/em>(2012). Elle a travaill\u00e9 comme co-\u00e9ditrice \u00e0 Descant Magazine<\/em>et a \u00e9t\u00e9 invit\u00e9e \u00e0 \u00e9diter son num\u00e9ro sp\u00e9cial de 2014 sur Berlin. Elle est la d\u00e9tentrice de la bourse Christophe Isherwood \u00e0 la Fondation Christophe Isherwood pour 2018-2019.<\/p>\n Jill Harbin<\/b> is completing her undergraduate degree in English and Psychology at the University of Alberta. Her interests include creative writing, particularly free verse poetry, and abstract collage art. She also loves photography, travel, and dance.<\/p>\n Susan Ingram<\/b> is Associate Professor in the Department of Humanities at York University, Toronto, where she coordinates the Graduate Diploma for Comparative Literature and is affiliated with the Canadian Centre for German and European Studies and the Research Group on Language and Culture Contact. She is the general editor of Intellect Book\u2019s Urban Chic series and the co-author of the volumes on Berlin, Vienna, and Los Angeles. A past president of the Canadian Comparative Literature Association, her research interests revolve around the institutions of European cultural modernity and their legacies.<\/p>\n Susan Ingram\u00a0est professeure agr\u00e9g\u00e9e dans le d\u00e9partement des Humanit\u00e9s \u00e0 l\u2019Universit\u00e9 York de Toronto o\u00f9 elle est coordinatrice du Dipl\u00f4me Sup\u00e9rieur de Litt\u00e9rature Compar\u00e9e, elle est \u00e9galement affili\u00e9e au Centre Canadien des Etudes Germaniques et Europ\u00e9nnes ainsi qu\u2019au Groupe de Recherche sur le Contact de la Langue et de la Culture. Elle est \u00e9ditrice-en-chef de la s\u00e9rie Intellect Book\u2019s Urban Chic et co-auteure des volumes sur Berlin, Vienne et Los Angeles. Ancienne pr\u00e9sidente de l\u2019Association Canadienne de Litt\u00e9rature Compar\u00e9e, sa recherche s\u2019int\u00e9resse aux institutions de la modernit\u00e9 culturelle europ\u00e9enne et \u00e0 leur h\u00e9ritage.<\/p>\n Jaclyn Marcus<\/b> is a Ph.D. candidate at Ryerson University and York University\u2019s joint Communication and Culture program, conducting research focused on the intersections between fashion and literature. Under the supervision of Dr. Irene Gammel, Jaclyn conducted research on the impact of dress on the friendships and social identities of young female characters in 20th<\/sup>-century literature as part of her M.A. in Fashion at Ryerson University. Jaclyn joined Ryerson University\u2019s Modern Literature and Culture Research Centre in 2016 and holds the role of editorial assistant for Fashion Studies<\/i>, co-founded and co-edited by Dr. Ben Barry and Dr. Alison Matthews David, the first open-access journal in the transdisciplinary field of fashion.<\/p>\n Jaclyn Marcus est doctorante dans le programme commun de Communication et Culture de l\u2019Universit\u00e9 Ryerson et de l\u2019Universit\u00e9 York, sa recherche se concentre sur l\u2019intersection entre la mode et la litt\u00e9rature. Sous la direction du Dr. Irene Grammel, Jaclyn a poursuivi un projet de recherche sur l\u2019impact de l\u2019habillement sur les amiti\u00e9s et les identit\u00e9s sociales chez les personnages de jeunes femmes dans la litt\u00e9rature du XXe si\u00e8cle dans le cadre de sa ma\u00eetrise sur la Mode \u00e0 l\u2019Universit\u00e9 Ryerson. Jaclyn a rejoint le Centre de Recherche sur la Litt\u00e9rature et la Culture Modernes de l\u2019Universit\u00e9 Ryerson en 2016 et occupe la position d\u2019assistante-\u00e9ditrice pour Fashion Studies<\/em>, co-fond\u00e9 et co-\u00e9dit\u00e9 par les Drs. Ben Barry et Allison Matthews David, le premier journal acad\u00e9mique \u00e0 acc\u00e8s libre dans le domaine interdisciplinaire de la mode.<\/p>\n Julia Petrov\u00a0<\/b>is Curator of Western Canadian History at the Royal Alberta Museum. Her research interests include the tensions between liveliness and deathliness in museum displays of fashion, the representation of dress in texts and images in the long 19th\u00a0<\/sup>century, and gendered dress norms. She co-edited the Routledge volumes The Thing About Museums<\/em>(2011) and Narrating Objects, Collecting Stories<\/em>(2012) and edited a special issue of the journal Clothing Cultures<\/em>in 2016. Another co-edited volume, Fashioning Horror<\/em>, was published by Bloomsbury in December 2017.<\/p>\n Julia Petrov est curatrice de la section de Western Canadian History au Royal Alberta Museum. Sa recherche s\u2019int\u00e9resse aux tensions entre les r\u00e9f\u00e9rences \u00e0 la vie et \u00e0 la mort dans les expositions de mode des mus\u00e9es, \u00e0 la repr\u00e9sentation de l\u2019habillement au cours du long XIXe si\u00e8cle, et aux diff\u00e9rences de normes dans l\u2019habillement masculin et f\u00e9minin. Elle a co-\u00e9dit\u00e9 les volumes The Thing About Museum<\/em>(2011) et Narrating Objects, Collecting Stories <\/em>(2012) chez Routledge, et \u00e9dit\u00e9 un num\u00e9ro sp\u00e9cial du journal Clothing Cultures<\/em>en 2016. Un autre volume co-\u00e9dit\u00e9, Fashioning Horror<\/em>, a \u00e9t\u00e9 publi\u00e9 chez Bloomsbury en d\u00e9cembre 2017.<\/p>\n
\nContributors<\/h1>\n
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