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{"id":11413,"date":"2018-12-28T11:57:44","date_gmt":"2018-12-28T16:57:44","guid":{"rendered":"https:\/\/imaginations.space\/?p=11413"},"modified":"2019-01-26T18:29:30","modified_gmt":"2019-01-26T23:29:30","slug":"imaginations-9-2-fashion-cultures-and-media-canadian-perspectives","status":"publish","type":"post","link":"https:\/\/imaginations.space\/?p=11413","title":{"rendered":"<em>Imaginations<\/em> | 9-2<\/br> FASHION CULTURES AND MEDIA \u2013 CANADIAN PERSPECTIVES"},"content":{"rendered":"<h2>Contents<\/h2>\n<p><a href=\"https:\/\/imaginations.space\/?p=11300\" target=\"_blank\" rel=\"noopener\">Introduction: Fashion Media Cultures<\/a> | Katrina Sark<\/p>\n<p><a href=\"https:\/\/imaginations.space\/?p=11308\" target=\"_blank\" rel=\"noopener\">The Canadian Fashion Scholars Network<\/a> | Katrina Sark<\/p>\n<p><a href=\"https:\/\/imaginations.space\/?p=11165\" target=\"_blank\" rel=\"noopener\">The Ruby Slippers Across Time, Space and Media<\/a> | Elena Siemens<\/p>\n<p><a href=\"https:\/\/imaginations.space\/?p=11068\" target=\"_blank\" rel=\"noopener\">Reading Glamour in Phyllis Brett Young\u2019s <em>The Torontonians\u00a0<\/em><\/a>|\u00a0Kathryn Franklin<\/p>\n<p><a href=\"https:\/\/imaginations.space\/?p=11082\" target=\"_blank\" rel=\"noopener\">A Clean Sharp Image: Don Cherry\u2019s Suits as Sartorial Statements<\/a> |\u00a0Julia Petrov<\/p>\n<p><a href=\"https:\/\/imaginations.space\/?p=11287\" target=\"_blank\" rel=\"noopener\">Wonder Woman\u2019s Costume as a Site for Feminist Debate<\/a> |\u00a0Jaclyn Marcus<\/p>\n<p><a href=\"https:\/\/imaginations.space\/?p=10918\" target=\"_blank\" rel=\"noopener\">Where the Boys Who Keep Swinging Are Now: Locational Relationality in Hedi Slimane and Helmut Lang<\/a> | Susan Ingram<\/p>\n<p><a href=\"https:\/\/imaginations.space\/?p=11167\" target=\"_blank\" rel=\"noopener\">Suzi Webster Interviewed by Katrina Sark<\/a><\/p>\n<p><a href=\"https:\/\/imaginations.space\/?p=11169\" target=\"_blank\" rel=\"noopener\">Suzi Webster Portfolio<\/a><\/p>\n<p><a href=\"https:\/\/imaginations.space\/?p=11216\">Faux Real<\/a> | Jill Harbin<\/p>\n<hr \/>\n<p><a href=\"https:\/\/imaginations.space\/?p=11420\" target=\"_blank\" rel=\"noopener\">Contributors<\/a><\/p>\n<p>Guest Editors: Katrina Sark and Elena Siemens<br \/>\nEditor-in-Chief: Markus Reisenleitner<br \/>\nManaging Editors: Brent Ryan Bellamy<br \/>\nEnglish Substantive and Copy Editor: Shama Rangwala<br \/>\nFrench Translator: Dominique Laurent<br \/>\nFrench Editor: Dominique Laurent<br \/>\nWeb Editor: Brent Ryan Bellamy<br \/>\nPDF Layout and Design: Markus Reisenleitner<br \/>\nFeatured Image: Electric Heart designed by Suzi Webster<\/p>\n<p><a href=\"https:\/\/imaginations.space\/wp-content\/uploads\/2018\/12\/Imaginations_9_2.pdf\" target=\"_blank\" rel=\"noopener\">9-2 Full Issue PDF<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Contents Introduction: Fashion Media Cultures | Katrina Sark The Canadian Fashion Scholars Network | Katrina Sark The Ruby Slippers Across Time, Space and Media | Elena Siemens Reading Glamour in Phyllis Brett Young\u2019s The Torontonians\u00a0|\u00a0Kathryn Franklin A Clean Sharp Image: Don Cherry\u2019s Suits as Sartorial Statements |\u00a0Julia Petrov Wonder Woman\u2019s Costume as a Site for [&hellip;]<\/p>\n","protected":false},"author":7987,"featured_media":11419,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[137],"tags":[],"class_list":["post-11413","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-9-2-fashion-culture-and-media","wpautop"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/imaginations.space\/wp-content\/uploads\/2018\/12\/Table-of-Contents-Image-by-K.Sark-Anne-Lambert-Textile-Collection-University-of-Alberta.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p707hj-2Y5","_links":{"self":[{"href":"https:\/\/imaginations.space\/index.php?rest_route=\/wp\/v2\/posts\/11413","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/imaginations.space\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/imaginations.space\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/imaginations.space\/index.php?rest_route=\/wp\/v2\/users\/7987"}],"replies":[{"embeddable":true,"href":"https:\/\/imaginations.space\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11413"}],"version-history":[{"count":8,"href":"https:\/\/imaginations.space\/index.php?rest_route=\/wp\/v2\/posts\/11413\/revisions"}],"predecessor-version":[{"id":11468,"href":"https:\/\/imaginations.space\/index.php?rest_route=\/wp\/v2\/posts\/11413\/revisions\/11468"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/imaginations.space\/index.php?rest_route=\/wp\/v2\/media\/11419"}],"wp:attachment":[{"href":"https:\/\/imaginations.space\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11413"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/imaginations.space\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=11413"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/imaginations.space\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=11413"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}