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{"id":10682,"date":"2018-10-29T16:05:40","date_gmt":"2018-10-29T20:05:40","guid":{"rendered":"https:\/\/imaginations.space\/?p=10682"},"modified":"2018-12-24T05:38:40","modified_gmt":"2018-12-24T10:38:40","slug":"imaginations-9-1-the-mise-en-scene-of-a-decade-visualizing-the-70s","status":"publish","type":"post","link":"https:\/\/imaginations.space\/?p=10682","title":{"rendered":"<em>Imaginations<\/em> | 9-1<\/br> THE MISE-EN-SC\u00c8NE OF A DECADE: VISUALIZING THE 70S"},"content":{"rendered":"<p><a href=\"https:\/\/imaginations.space\/?p=10664\">Fade of the Polaroid: Towards a Political Ontology of the 70s<\/a> | Andrew Pendakis<br \/>\n<a href=\"https:\/\/imaginations.space\/?p=10748\">Preface<\/a> | Nathan Holmes<br \/>\n<a href=\"https:\/\/imaginations.space\/?p=10633\">\u201cAn Escape into Reality\u201d: Computers, Special Effects, and the Haunting Optics of <em>Westworld<\/em> (1973)<\/a> | Colin Williamson<br \/>\n<a href=\"https:\/\/imaginations.space\/?p=10668\">Predictive Landscapes<\/a> | K. R. Cornett<br \/>\n<a href=\"https:\/\/imaginations.space\/?p=10672\">Archaeology of the (1970s) Commune: Notes Towards an Old\/New Ontology of Students: A Conversation between Fraser McCallum and Andrew Pendakis<\/a> | Andrew Pendakis, Fraser McCallum<br \/>\n<a href=\"https:\/\/imaginations.space\/?p=10677\">Killer POV: First-Person Camera and Sympathetic Identification in Modern Horror<\/a> | Adam Charles Hart<br \/>\n<a href=\"https:\/\/imaginations.space\/?p=10674\">Deep Backgrounds: Landscapes of Labor in All the President\u2019s Men<\/a> | Nathan Holmes<br \/>\n<a href=\"https:\/\/imaginations.space\/?p=10686\">Image and Discursive Landscape: Roaming the Land Art of the American Southwest<\/a> | Kaitlin Pomerantz<br \/>\n<a href=\"https:\/\/imaginations.space\/?p=10655\">Strange Vices: Transgression and the Production of Difference in the <em>Giallo<\/em><\/a> | Seb Roberts<\/p>\n<hr \/>\n<p><a href=\"https:\/\/imaginations.space\/?p=10688\">Contributors<\/a><\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<p>Guest Editors: Nathan Holmes and Andrew Pendakis<br \/>\nEditor-in-Chief: Markus Reisenleitner<br \/>\nManaging Editors: Brent Ryan Bellamy<br \/>\nEnglish Substantive and Copy Editor: Shama Rangwala<br \/>\nFrench Translator: Dominique Laurent<br \/>\nFrench Editor: Dominique Laurent<br \/>\nWeb Editor: Brent Ryan Bellamy<br \/>\nPDF Layout and Design: Markus Reisenleitner<br \/>\nFeatured Image: The <span class=\"Italic\">Post <\/span>newsroom set for <em><span class=\"Italic\">All the President\u2019s Men<\/span><\/em><\/p>\n<p><a href=\"https:\/\/imaginations.space\/wp-content\/uploads\/2015\/05\/Imaginations_9_1.pdf\">9-1 Full Issue PDF<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Fade of the Polaroid: Towards a Political Ontology of the 70s | Andrew Pendakis Preface | Nathan Holmes \u201cAn Escape into Reality\u201d: Computers, Special Effects, and the Haunting Optics of Westworld (1973) | Colin Williamson Predictive Landscapes | K. R. Cornett Archaeology of the (1970s) Commune: Notes Towards an Old\/New Ontology of Students: A Conversation [&hellip;]<\/p>\n","protected":false},"author":7987,"featured_media":10702,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[136,4],"tags":[],"class_list":["post-10682","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-9-1-the-mise-en-scene-of-a-decade","category-article","wpautop"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/imaginations.space\/wp-content\/uploads\/2018\/10\/holmes-figure-2.png","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p707hj-2Mi","_links":{"self":[{"href":"https:\/\/imaginations.space\/index.php?rest_route=\/wp\/v2\/posts\/10682","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/imaginations.space\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/imaginations.space\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/imaginations.space\/index.php?rest_route=\/wp\/v2\/users\/7987"}],"replies":[{"embeddable":true,"href":"https:\/\/imaginations.space\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10682"}],"version-history":[{"count":11,"href":"https:\/\/imaginations.space\/index.php?rest_route=\/wp\/v2\/posts\/10682\/revisions"}],"predecessor-version":[{"id":11431,"href":"https:\/\/imaginations.space\/index.php?rest_route=\/wp\/v2\/posts\/10682\/revisions\/11431"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/imaginations.space\/index.php?rest_route=\/wp\/v2\/media\/10702"}],"wp:attachment":[{"href":"https:\/\/imaginations.space\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10682"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/imaginations.space\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10682"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/imaginations.space\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10682"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}