This issue is also available in a print version. For further information, please contact Jaqueline McLeod Rogers.
Marshall McLuhan and the Arts after the Speculative Turn | Adam Lauder and Jaqueline McLeod Rogers
Printing a Film to Make it Resonate: Sorel Etrog and Marshall McLuhan’s Spiral | Elena Lamberti
Mansaram and Marshall McLuhan: Collaboration in Collage Art | Alexander Kuskis
Critique, texte et art contemporain. Repenser l’héritage de Marshall McLuhan aujourd’hui | Adina Balint
Songlines, not Stupor: Cheryl L'Hirondelle's nikamon ohci aski: songs because of the land as Technological Citizenship on the Lands Currently Called “Canada” | Jessica Jacobson-Konefall, May Chew, and Daina Warren
McLuhan’s Photographic Gestalt (and the project of the object world) | Tom McGlynn
L(a)ying with Marshall McLuhan: Media Theory as Hoax Art | Henry Adam Svec
Marshall McLuhan’s Counterenvironment within the Stream of Defamiliarization | Kenneth Allan
Our World: McLuhan’s Idea of Globalized Presence as the Prehistory of Computational Temporality | Mohammad Salemy
Assembling the (Non)Human: The Animal as Medium | Jody Berland
The Designscapes of Harley Parker: Print and Built Environments | Gary Genosko
Guest Editors: Jaqueline McLeod Rogers and Adam Lauder
Editor-in-Chief: Sheena Wilson
Managing Editors: Brent Ryan Bellamy
English Substantive and Copy Editor: Shama Rangwala
French Translator: Ève Robidoux-Descary
French Editor: Dominique Laurent
Web Editor: Brent Ryan Bellamy
PDF Layout and Design: Markus Reisenleitner
Featured Image: Tom McGlynn, Painted-Over Crosswalk, Jersey City, 2016
8-3 Full Issue PDF | http://dx.doi.org/10.17742/IMAGE.MA.8.3